Аннотация
The article explores the readerly ways of mental construal of soundscapes in comics and graphic
novels. As a visual rather than audiovisual medium, graphic narrative makes the reader’s inner ear responsible for its diegetic sound, which it indicates schematically by visual and verbal means. Since any storyworld space has default auditory parameters, it is suggested to consider sound as a transmedial entity. Delazari discusses some particular cases of sound deferral and supplementation in Gene Luen Yang and Sonny Liew’s The Shadow Hero and Alan
Moore, Gene Ha and Zander Cannon’s Top 10.
novels. As a visual rather than audiovisual medium, graphic narrative makes the reader’s inner ear responsible for its diegetic sound, which it indicates schematically by visual and verbal means. Since any storyworld space has default auditory parameters, it is suggested to consider sound as a transmedial entity. Delazari discusses some particular cases of sound deferral and supplementation in Gene Luen Yang and Sonny Liew’s The Shadow Hero and Alan
Moore, Gene Ha and Zander Cannon’s Top 10.
| Переведенное название | Comics by Ear: Diegetic Sound as a Transmedial Entity |
|---|---|
| Язык оригинала | Russian |
| Страницы (с-по) | 118-132. |
| Журнал | Novoe Literaturnoe Obozrenie |
| Том | 179 |
| Номер выпуска | 1 |
| Состояние | Published - 2023 |
Fingerprint
Подробные сведения о темах исследования «Комиксы на слух: диегетический звук как трансмедиальная категория». Вместе они формируют уникальный семантический отпечаток (fingerprint).Цитировать
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